Much-needed encouragement to love the skin we’re in.
A Black girl with vitiligo celebrates what makes her different.
This utterly charming picture book from vitiligo advocate Rivera exudes self-love from cover to cover. The story opens with the protagonist admiring herself in the mirror: “I stand up and I stand out / I am the light and the spark.” She admires the beauty marks on her face, hands, and legs. Others are curious about her “patches,” “dots,” or “blotches.” The child introduces the term vitiligo to explain why her skin looks the way it does. Her mother tells her, “Vitiligo makes you YOU!” while her father says she’s “royalty through and through.” The young protagonist proudly proclaims, “My skin is fly!” Whether she is playing in a cardboard house, floating paper boats in a stream during a rainy day at the park, or attending art class, her confidence is infectious. Depicting a diverse community, Mata’s digital illustrations are full of texture and joy; the protagonist cuts an undeniably endearing figure. In an author’s note, Rivera discusses the bullying she confronted growing up due to her vitiligo; she also includes photos of herself as a child, a brief explanation of the condition, and a short glossary of terms such as depigmentation and melanin. (This book was reviewed digitally.)
Much-needed encouragement to love the skin we’re in. (Picture book. 4-8)Pub Date: June 6, 2023
ISBN: 9780063119970
Page Count: 40
Publisher: HarperCollins
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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