A warm hug of a tale.
Four friends grapple with everyday challenges.
For Hazelton High juniors Sasha, Christine, Abby, and Brit, the new school year brings new trials. Sasha struggles to balance her love life and academic aspirations. Scholastically minded Brit finds herself in a love triangle between a good-hearted grump and a handsome playboy. Abby feels anxiety about her once-popular blog and putting a label on her sexual orientation when confusing new feelings emerge. Christine fears coming out to Abby (although she is out to Brit and Sasha), on whom she’s harbored a long and tortuous crush that she worries will destroy their friendship. The girls navigate timely and important issues like establishing and communicating boundaries, defining one’s sexual orientation, righting miscommunications, and (staying in the vein of its predecessor, 2020’s Go With the Flow) menstrual equity. Williams and Schneemann’s warm and engaging graphic novel is a welcome return to this world, with vibrant art; short, episodic chapters; fast pacing; and the right blend of tension and sweetness. The group’s dynamics and communication skills as they work through their issues are commendable, modeling openness and honesty and leaving aside cattiness and drama. The main cast is diverse and inclusive, showing a range of skin tones, body sizes, and sexual orientations.
A warm hug of a tale. (authors’ note) (Graphic fiction. 11-16)Pub Date: Oct. 10, 2023
ISBN: 9781250834102
Page Count: 336
Publisher: First Second
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
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BOOK REVIEW
Imaginative and dazzlingly theatrical at the end, though on the long and wandering side.
A traumatized family heals most of its cracks as it bumbles from Meanyopolis to Truphoria.
It’s been more than six decades since Feiffer illustrated Norton Juster’s The Phantom Tollbooth, but he’s still sending young people into metaphorical fantasy realms to meet quirky residents and bumble along on personal quests toward self-actualization. Here, the horrifying prospect of getting a new dad, home, and siblings propels quarrelsome Pearlie and contrary little brother Curly into the Lost Dimension of Ephemera. They’re followed by older sister Shirley with her hunky but dimwitted fiance, Earl, and finally their indecisive mom, who sings the titular song (“I cried, I sighed, / alone, I’d moan, / ’twas grapes / that set me free”). Mommy, in a protracted search for her true identity, becomes the real protagonist. Or at least, by the end, she sends her children on their ways and evinces the most change among the characters. Accompanied by a dog/cat named Kelly and a wildly mutable monster representing doubt (or something like it), various members of the clan encounter locals, from the Feary (“rhymes with scary”) Queen to an attacking troupe of dapper, dancing, deadly Elegantics. The story culminates in a wedding and a last reprise of the theme song. In the art dialogue balloons, bright colors and scribbly lines feature more prominently than the human figures, who are posed with balletic grace. Main characters present white.
Imaginative and dazzlingly theatrical at the end, though on the long and wandering side. (Graphic fantasy. 11-16)Pub Date: Sept. 24, 2024
ISBN: 9780062963833
Page Count: 296
Publisher: Michael di Capua/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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BOOK REVIEW
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