A slim storyline is enhanced by the detailed illustrations and the absurd behavior of adults who need a lesson in listening.
An elephant comes to play, but none of the adults realizes that anything is unusual.
A little white girl has just moved into a new house. When a small elephant shows up, the girl tries to tell her mom, dad, and grandmother, but the distracted grown-ups believe she must be the girl next door and just keep repeating the titular phrase, “Ella WHO?” Although this is a one-joke story, the digital illustrations, softer in color and more delicate than many done in this medium, are amusing. When dad reaches for a wrench as he fixes the shower, the elephant quite naturally hands it to him with her trunk. The elephant reads a book that looks suspiciously like David McKee’s Elmer. Finally, a black man wearing a uniform with the word “sanctuary” shows up, looking for an elephant. The adults he queries tell him they haven’t seen one, but when the little girl reads the “missing” flier he leaves behind, she uses the facts to verify the elephant’s identity. She calls Fiona by name, confirms that the elephant loves apples but dislikes green beans, and phones the man to pick up the elephant. Her family remains oblivious to the day’s events. They are each busy in the living room as the little girl spots yet another animal in their front yard—a baboon, another escapee from the wild animal sanctuary down the street.
A slim storyline is enhanced by the detailed illustrations and the absurd behavior of adults who need a lesson in listening. (Picture book. 3-6)Pub Date: April 11, 2017
ISBN: 978-1-4549-1904-9
Page Count: 32
Publisher: Sterling
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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