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IF KIDS RULED THE WORLD

The reminder to play at all ages is important, but one wishes if kids did rule the world there might be an element of...

From the expected to the surreal, Bailey imagines a world where kids make the rules.

Of course, every day would be your birthday, and of course, birthday cake would be good for you. You’d never have to make your bed, and if you wanted to travel, just take a pirate ship—or a rocket! In a world where kids decide what is best, Bailey presumes that everyone would want to be a prince or a princess and own a pet kangaroo, elephant or grizzly bear. Baths would not be mandatory, and you could wear whatever you want, even underwear on your head. Most of the suppositions are fairly mundane, but a few inventive moments sneak in—such as, all the sidewalks would be trampolines. The narrative’s final effort at justifying these silly, high-spirited rules is to say that “no one would ever forget how to / PLAY! / No way!” Huyck’s detailed, digital illustrations stretch the light tone even farther. Kids of all ethnicities crowd the pages, often in separate, humorous vignettes tucked within the backgrounds.

The reminder to play at all ages is important, but one wishes if kids did rule the world there might be an element of idealism as well, not just whimsy. (Picture book. 3-6)

Pub Date: Sept. 1, 2014

ISBN: 978-1-55453-591-0

Page Count: 32

Publisher: Kids Can

Review Posted Online: June 17, 2014

Kirkus Reviews Issue: July 15, 2014

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CLOTHESLINE CLUES TO JOBS PEOPLE DO

From the Clothesline Clues series

Pair this with Leo Timmers’ Who Is Driving? (2007) for twice the guessing fun.

Heling and Hembrook’s clever conceit challenges children to analyze a small town’s clotheslines to guess the job each of their owners does. 

Close-up on the clothesline: “Uniform and cap, / an invite for you. / Big bag of letters. / What job does she do?” A turn of the page reveals a macro view of the home, van and the woman doing her job, “She is a mail carrier.” Indeed, she can be spotted throughout the book delivering invitations to all the rest of the characters, who gather at the end for a “Launch Party.” The verses’ rhymes are spot-on, though the rhythm falters a couple of times. The authors nicely mix up the gender stereotypes often associated with several of these occupations, making the carpenter, firefighter and astronaut women. But while Davies keeps uniforms and props pretty neutral (he even avoids U.S. mail symbols), he keeps to the stereotypes that allow young readers to easily identify occupations—the farmer chews on a stalk of wheat; the beret-wearing artist sports a curly mustache. A subdued palette and plain white backgrounds keep kids’ focus on the clothing clues. Still, there are plenty of details to absorb—the cat with arched back that anticipates a spray of water, the firefighter who “lights” the rocket.

Pair this with Leo Timmers’ Who Is Driving? (2007) for twice the guessing fun. (Picture book. 3-6)

Pub Date: July 1, 2012

ISBN: 978-1-58089-251-3

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 15, 2012

Kirkus Reviews Issue: June 1, 2012

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