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FAMILY TREES

A NOVEL OF THE NORTHWEST

An often pleasant, if somewhat lengthy, Oregon-set novel of trees and family.

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A widower and a divorcée shake up a wealthy Oregon family in Crew’s literary novel.

In 2009, the members of the Garland family are bigwigs around Corvallis, Oregon, as the wealthy owners of Garland Forests, a major timber supplier. Will Trask is the humble son of a logger who married into the family and now works as a timber consultant and realtor. Since the death of his wife, Shelley, he’s done his best to raise their sons, Gar and Cody, though he feels like he’s lost touch with the teens. Now Gar is off to college, and Will is feeling increasingly adrift. Bridget Garland—who, like Will, married into the extended Garland clan—is a physical therapist known locally as “the Good Witch.” She’s recently decided to leave her cheating husband, John—which may mean severing ties with his powerful family: “They may own the forests, but they don’t own this town,” Bridget tells Will. “Corvallis is my town too, now. And the part of my life I’ve loved is right here.” But when Bridget enlists Will to help her go up against their in-laws, the entire family gets entangled in a mess of secrets and real estate. Crew’s prose flows smoothly across the page, inflected with wonderful details about the forests that form the backdrop of her characters’ lives, as when Will reflects on a comment to a real estate client: “ ‘Trees just get big fast here.’ More complicated than that, but Will didn’t feel like explaining….[P]eople who didn’t know just looked at a big tree and had no idea the size of the true old growth forests of the past.” The plot is slow-paced, and relatively few dramatic events disrupt the overall placidity. That said, Crew constructs her characters with such care that readers will be largely content to follow them through the intricacies of their relationships. At around 400 pages, the novel is perhaps a bit too long, but the author uses the space to grapple with the ins and outs of grief, new love, and old rivalries.

An often pleasant, if somewhat lengthy, Oregon-set novel of trees and family.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: Oct. 15, 2020

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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