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HAVE YOU EVER ZEEN A ZIZ?

Sweet and delightful and totally charming.

What in the world is a ziz?

It is an extraordinary, amazing bird. She has a wingspan that can block the sky, but she’s gentle and sweet, with kindness for all, playing with children and guarding farmers’ crops. Oh yes, she also sings from morning to night, when she’s alone or at play with friends or in her nest on high. The songs can be happy or sad, but they are always loud. When she takes “a little shluffy,” incorporating a Yiddish word for a child’s nap, the singing ends, only to be replaced by even louder snores. Marshall tells this very slight tale in lilting, vaguely Seussian singsong rhymes that fly across the pages along with the mysterious ziz. In a note Marshall cites biblical Jewish writings naming this bird that inspired her to bring it to life. Reed’s brightly hued illustrations interpret Marshall’s vision of the ziz and are designed with unfettered imagination and verve. When the bird stands on her yellow feet on land, her orange crown and yellow beak reach through the clouds. Her huge orange wings are in perfect proportion to her very long neck and flexible body. The work begs to be read aloud—or, better yet, together—and the large print with a smattering of italics provides cues for fun-filled interpretations.

Sweet and delightful and totally charming. (Picture book. 3-9)

Pub Date: April 1, 2020

ISBN: 978-0-8075-3173-0

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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