A buoyant, accessible, if simplified tribute to Mayan weaving.
A resourceful Maya girl crafts rainbow-colored fabric out of recycled plastic bags in this modest tale of ingenuity.
Ixchel longs to weave beautifully colored fabric just like her mother’s. Alas, Mama tells her that she’s too young to partake in this long-standing Maya tradition. Besides, there isn’t any extra thread for her. The fabric, Mama says, “will help pay for your school and books” if it sells well. Wanting to help pay for these things too, Ixchel gathers some materials to weave her own fabric. Tall blades of grass don’t work—the cloth comes out too small and too scratchy—and using wool results in fabric that’s too dull and too dirty. Undeterred, she gets the idea to use the brightly colored plastic bags that litter her village’s fields. The text is presented in both English and a faithful Spanish translation. Inspired by an organization of weavers in Guatemala, Marshall presents here an uncomplicated story meant to stir and inspire. Chavarri’s digital artwork furthers the inspirational intent: colorful and clean, with ample space for wide-eyed facial expressions on Ixchel and other characters, the pictures provide a clear sense for each story moment. Naturally, Ixchel gets her happy ending, and her village does too. The author's note, however, raises some questions about Maya socio-economic realities that situate this story in a more complicated light.
A buoyant, accessible, if simplified tribute to Mayan weaving. (glossary, author’s note) (Picture book. 4-8)Pub Date: Oct. 15, 2016
ISBN: 978-0-89239-374-9
Page Count: 40
Publisher: Children's Book Press
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
