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SAVING THE COUNTRYSIDE

THE STORY OF BEATRIX POTTER AND PETER RABBIT

A well-told tale that makes the life story of the renowned author accessible to children.

The life of the British picture-book author and illustrator makes a serendipitous subject for an engaging and attractive picture book.

Growing up in an upper-class family in Victorian London, Potter was an observant and talented artist from a young age. When on vacation in the English countryside, she reveled in the freedom to enjoy animals and nature. Urbinati’s able, Potter-inspired pen-and-watercolor spreads and vignettes show the development of the author’s work through landscapes and facsimile pages of her books. Marshall’s clear, engaging text relates how Potter was interested in mycology, but her ideas were rejected by the male scientific establishment, so she pursued book illustration. Initially finding no interest for her children’s book among publishers, she self-published The Tale of Peter Rabbit. When that sold, a publisher became interested, and she wrote and published all the small-format children’s books for which she is well known today. Potter took the precaution of copyrighting her character so that her creations would be protected. Realizing the countryside she loved was under threat from urbanization, she used her wealth to acquire several farms and saved much of the English Lake District through her land purchases, more than 4,000 acres of which she donated to the National Trust.

A well-told tale that makes the life story of the renowned author accessible to children. (author’s note, bibliography) (Picture book/biography. 7-10)

Pub Date: Jan. 28, 2020

ISBN: 978-1-4998-0960-2

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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1001 BEES

Friends of these pollinators will be best served elsewhere.

This book is buzzing with trivia.

Follow a swarm of bees as they leave a beekeeper’s apiary in search of a new home. As the scout bees traverse the fields, readers are provided with a potpourri of facts and statements about bees. The information is scattered—much like the scout bees—and as a result, both the nominal plot and informational content are tissue-thin. There are some interesting facts throughout the book, but many pieces of trivia are too, well trivial, to prove useful. For example, as the bees travel, readers learn that “onion flowers are round and fluffy” and “fennel is a plant that is used in cooking.” Other facts are oversimplified and as a result are not accurate. For example, monofloral honey is defined as “made by bees who visit just one kind of flower” with no acknowledgment of the fact that bees may range widely, and swarm activity is described as a springtime event, when it can also occur in summer and early fall. The information in the book, such as species identification and measurement units, is directed toward British readers. The flat, thin-lined artwork does little to enhance the story, but an “I spy” game challenging readers to find a specific bee throughout is amusing.

Friends of these pollinators will be best served elsewhere. (Informational picture book. 8-10)

Pub Date: May 18, 2021

ISBN: 978-0-500-65265-7

Page Count: 32

Publisher: Thames & Hudson

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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