Talia, a city girl, is visiting her grandmother, who tells her to “bring back seven root vegetables” from the garden....
A little girl’s misunderstanding, the harvesting of some root vegetables and a recipe for stew merge for an amusing Jewish New Year story.
Talia, a city girl, is visiting her grandmother, who tells her to “bring back seven root vegetables” from the garden. Hearing “rude” for “root,” the confused child ponders over this while she proceeds to find her perception of rude veggies in an ornery onion, a garish garlic, a crooked carrot, a terrible turnip, lumpy bumpy potatoes, big ugly parsnips and “rude-abagas…definitely rude.” Pleased with how well she has satisfied Grandma’s request, Talia decides to donate the other perfectly nice vegetables to the Rabbi as a mitzvah for a poor family. The narrative, with its recurring theme of “what Grandma wants,” is matched well to Assirelli’s illustrations. Their terra-cotta and earthy hues combine with deep purple and olive-green tones for kitchen and backyard scenes. Talia’s round face is drawn with thin lines detailing expressions of surprise, pleasure and the exertion of digging and pulling. Marshall incorporates many new words to extend the term “rude” while at the same time allowing youngsters, who will soon realize Talia’s mix-up, to learn the names of the various root vegetables.Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-5217-4
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Aug. 9, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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