A splendid, multihued collection of writings by women on their kinship with animals, edited by Hogan (Solar Storms, 1995, etc.), Metzger (Writing for Your Life, not reviewed), and Peterson (Sister Stories, 1995, etc.). While it might be argued that women haven't exactly been foreigners to the study and appreciation of creatures in the wild, as this collection suggests—Dian Fossey, Jane Goodall, Diane Ackerman, Gretel Ehrlich, and Terry Tempest Williams all readily spring to mind, and all figure in this anthology (not to mention Rachel Carson, who doesn't)—there is no debating the editors' main point: Women have a lot of fascinating and important things to say about the dialogue between species, and they deserve more page space. Included here are reports from the field, poems, ruminations, interviews, short stories, and formal essays, from the rigorously scientific to the sacred and spiritual, many displaying the revived interest in ``ancient indigenous intellectual and religious traditions.'' Speed past the half-baked introduction by the editors: ``animals have been the source of our connection with the world all along''; and the casually tossed off comment that ``what women have brought into the equation is a respect for feeling and empathy,'' which snubs the work of Frans de Waal, Jeffrey Moussaief Masson, and Harry Green, among others. Move on to instead the material that doesn't have an agenda other than writing purely and with disarming clarity about a woman's experience with animals. Enjoy Vicki Hearne's tale of pit bull justice on Venice Beach, Charlotte Zoe Walker's mesmerizing story on the healing power of goats amid the memories of political torture, and Leslie Silko, Alice Walker, Ursula Le Guin—77 contributions, all told. These are, indeed, stories of an intimate nature: sensuous, unsparing, carefully mulled, razor sharp.
Pub Date: Jan. 1, 1998
ISBN: 0-449-91122-5
Page Count: 464
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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