by Linda Hogan ‧ RELEASE DATE: Aug. 1, 2008
Portentous and didactic.
The latest from Pulitzer Prize finalist Hogan (English/Univ. of Colorado; Power, 1998, etc.) revolves around two Native Americans of the Pacific Northwest as they struggle to reconcile the tribe’s time-honored ways with those of the corrupt wider world.
Thomas Just and Ruth Small seem destined for each other. His grandfather is Witka, legendary hunter-seer who in times of need disappeared into the depths and “spoke with the whales, entreated them, and asked […] if one of them would offer itself to the poor people on land.” Ruth, meanwhile, is born with gill slits and kept briefly in a zinc tub so she won’t “drown in air.” But soon after they’re married in a tribal ceremony, Thomas—on a bender with friends—impulsively enlists and ships off to Vietnam, leaving behind not only Ruth but, it turns out, the son she’s pregnant with. Horrified by what he witnesses in war, Thomas melts into the landscape of Vietnam, where he lives ten years as a rice farmer, even fathering a daughter. He returns to the States—but not home, not yet. After a sojourn in Hawaii, he hears the tribe is to embark on a whale hunt. Ostensibly a reassertion of traditional values, it’s actually a cynical scheme, with the whale oil promised to profiteers; this whale will be not entreated but slaughtered. Thomas takes part in the hunt, during which his estranged son is murdered. (Gifted with some of his great-grandfather’s ability, Marco tries to dissuade his fellows from killing a whale too small and timid, and pays with his life.) Thomas withdraws to taciturn solitude in his grandfather’s house, and Ruth courageously tries to punish the wrongdoers and uphold the old ways. Hogan excels, early on, in laying out tribal lore, and the book nicely exemplifies the difficulty of maintaining A’atsika values in a world grown smaller, more venal, more violent. But the abstract, preachy voice palls, and Thomas remains elusive, more symbol than person.
Portentous and didactic.Pub Date: Aug. 1, 2008
ISBN: 978-0-393-06457-5
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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