by Linda J. Acevedo ; illustrated by Frank Morrison ‧ RELEASE DATE: May 30, 2023
An irresistible beat to get readers on their feet.
A timid Puerto Rican child picks up the beats and gets down on the streets in the 1970s.
Young Manolo takes in everything in his Bronx neighborhood: Latin boogaloo singalongs, “hip-swaying rumba parties,” bass-heavy thrums, and the “zigga, zigga scratch” of DJs on turntables. A refrain appears throughout: “ROCK, ROCK, Y’ALL, AND YA DON’T QUIT!” It’s the rise of “HIP-HOP!” and break dancing. The B-boys and B-girls and their dance crews make it look way smooth—in dance-offs where spectators cheer and jeer with bravado—but Manolo slinks away, discouraged. Does he have what it takes? As the Bronx succumbs to the rubble and exodus caused by “corrupt politicians and greedy landlords,” Manolo perfects his top rock and six step, gaining a dance crew and a new moniker: Kid Flex. Soon enough, Kid Flex and the Borinquén Breakers make their mark, taking the pulsing beat of the Boogie Down Bronx to new neighborhoods. In this beatific tale, Acevedo serves up a fictional tale rooted in history that pays tribute to young Black and brown breakers. With text full of punchy words and phrases, the author invokes the indelible zest of hip-hop in a way that inspires. Morrison’s hazy, graffiti-flavored artwork is spellbinding, with bodies etched in movement that leap off the pages. (This book was reviewed digitally.)
An irresistible beat to get readers on their feet. (afterword, photos, glossary, author’s note) (Picture book. 4-8)Pub Date: May 30, 2023
ISBN: 9781643796390
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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