FIVE DAYS IN BOGOTÁ

A gallery owner finds herself in over her head in Moore’s fast-paced novel of the early-1990s art world.

Ally Blake, a widowed mother of two and owner of a financially strapped art gallery in San Diego, risks everything to exhibit at a Bogotá art fair and hopefully make it big. Specializing in Latin American art, she’s joined by Uruguayan artist Mateo Lugano, who’s also hoping to get his big break at the fair. After struggling to get her crates full of valuable art—on which her livelihood depends—free from customs, Ally notices additional paintings have been added to her collection. To her astonishment, the two mystery paintings are by Ponce Goméz, one of the most recognizable painters in the world, whose pieces go for millions. It’s revealed that David Martinez, an ex-boyfriend of Ally’s working in the U.S. State Department, is in Bogotá, conveniently at the same time that she discovers the Gomézes. After some prodding, David reveals that the American government has involved her in an off-the-books operation whose details are revealed later. Another shocking twist, which increases the tension of the already high-stakes narrative, involves none other than the notorious drug trafficker Pablo Escobar. Moore’s previous book, Attribution (2022), also involved stolen art, but this book presents a detailed, behind-the-scenes look at those who deal in paintings of a different era, while also offering all the elements of a nail-biting thriller. The author drives the narrative with the fact that Ally ultimately has no desire to add fuel to revolutionary fire in yet another South American country. It results in a pulse-pounding game of cat-and-mouse as she tries to avoid operatives of the U.S. government and the deadly cartel, as well as seedy art dealers trying to get their hands on the paintings.

A beguiling adventure involving valuable paintings and international conspiracy.