Matt Lanchester, biking on a country road near his new home in Wales, believes that he was nearly killed after he experiences a supernatural accident with a phantom speeding car. This incident is identical to the real accident that left a boy dead on the same spot years before. Matt’s encounter with a crude shrine that bears the victim’s initials—the same as Matt’s—leads to further revelations: He feels a mystical connection between the victim, Martin Lloyd, and himself; and it seems as if Martin wants Matt to learn the truth about his death. There are several “lost boys” here—Martin, the roadside casualty, and a child who succumbed after losing his way on a mountaintop a century ago and whose death and his dog’s valiant efforts to find him have become the stuff of local legend. Matt’s lost, too: He’s trying to discover truths about the present by making sense of the past. He’s also navigating friendships, including a tenuous one with a pair of toughs who’ve wrongly accused an elderly, mentally confused townsman of being Martin’s killer. The author fairly successfully interweaves contemporary events with the past and reality with the mystical to frame a mildly engaging story. (Fiction. 10-13)
Pub Date: March 11, 2008
ISBN: 978-0-375-84574-1
Page Count: 208
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.
Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.
Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)Pub Date: Sept. 17, 2013
ISBN: 978-1-4231-6491-3
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Fast-moving but let down by questionable omissions.
The efforts of six New Jersey kids to prevent the Nazis from winning World War II continue in this sequel to Westfallen (2024).
In 1944, Alice, Lawrence, and Artie struggle to correct their catastrophic error that, as Alice repeatedly has it, “DESTROYED THE FUTURE.” In 2023, Frances and Henry desperately research the changed history that finds the U.S. transformed into the Nazi-controlled tributary state of Westfallen. Jewish Lukas is largely confined, unable to help them or reach the magic shed that houses the radio that allows the kids to communicate across time, putting him at risk of losing his memories. Meanwhile, in 1944, Lawrence collects scrap metal alongside a kid who grows up to be a patient in the Home for Incurables, where Henry works in 2023. Could that kid hold the key to restoring the timeline? In this volume, Lawrence and Frances join Alice and Henry as first-person narrators, depriving Lukas and Artie of narrative agency. This lack is particularly distressing in Lukas’ case, as his isolation is affecting his personality. It falls to Henry and Alice to prod him into action—which is unfortunate for a novel that never names the Holocaust and omits persecution of the Jews from Alice’s father’s explanation of Nazi ideology (although antisemitism is an obvious feature of life in this alternate timeline). The crackling pace can’t obscure these lapses. Alice, Artie, and Frances are white, Lawrence is Black, and biracial Henry is Black and white.
Fast-moving but let down by questionable omissions. (Science fiction/thriller. 10-13)Pub Date: Sept. 16, 2025
ISBN: 9781665950848
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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