by Linda Oatman High & illustrated by John O’Brien ‧ RELEASE DATE: Feb. 1, 2007
When Cool Bopper, the saxophonist of the Snazzy Catz Jazz Club, loses his false teeth during a particularly impassioned scat, he loses his bop at the same time. Riding atop a beehive ’do to the ladies’ room, they are mistakenly flushed, and with that calamity, the blues descends on Cool Bopper. High’s exuberant text grooves on the musical possibilities of jazz, stringing together consonants and internal rhymes in a mellifluous celebration of sound: “Poor Cool Bopper / toted / his saxophone— / his golden bold / baritone saxophone” O’Brien’s ink-and-watercolor illustrations pulse with energy, blending the curves of musical instruments into the architecture itself in a visual countermelody (an especially inspired cross-section of plumbing reveals a sewage system designed like a French horn). The resolution is sweetly satisfying: A morose Cool Bopper seeks solace by the seashore and finds his teeth blowing on a shell; a grin wider than the Hudson reveals that the bop is back. Not the weightiest tale on the shelves, but still good silly, be-boppin’ fun. (Picture book. 3-8)
Pub Date: Feb. 1, 2007
ISBN: 1-59078-379-4
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
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by Linda Oatman High ; illustrated by Kris Aro McLeod
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by William Shakespeare ; adapted by Georghia Ellinas ; illustrated by Jane Ray ‧ RELEASE DATE: April 7, 2020
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
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by William Shakespeare ; adapted by Crystal Chan ; illustrated by Julien Choy
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by William Shakespeare ; adapted by Malini Roy ; illustrated by Naresh Kumar
by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by William Miller & illustrated by Charlotte Riley-Webb
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by William Miller & illustrated by Leonard Jenkins
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by William Miller & illustrated by Susan Keeter
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