While not strictly biographical, the story captures the curiosity and courage of a woman who finally followed her dream.
This Swiss import introduces an intrepid woman whose world travels and writings were extraordinary for her time.
Ida Pfeiffer (1797-1858) was one of seven children in her Austrian family. One to three sentences per composition convey the narrator’s circumstances and intent, allowing the images to carry details and feelings. A collector of natural specimens and companion to her adventurous brothers, the protagonist was later reined in and married off by her mother. Two sons followed, but they grow and leave in the space of three pages. (The husband was already out of the picture.) The narrative emphasis is on Pfeiffer’s subsequent adventuresome voyage and exploration of flora, fauna, and other civilizations. (In reality, she made several; this story compresses them into one.) Readers will be amused that she had to tie herself to her bed during a storm at sea to avoid falling out. The vivid colors are emotive rather than natural; the shapes are stylized. Pfeiffer has lavender skin and green hair. Friendly jungle inhabitants are a slightly darker purple; wearing masks, they greet her and later include her in a firelit celebration. The book’s large trim size and panoramic spreads suit the scale of her childhood dreams and later escapades. The warm palette and teeming life of her new friends’ island contrast with the barren trees dotting the dark landscape the day her brothers left home.
While not strictly biographical, the story captures the curiosity and courage of a woman who finally followed her dream. (afterword, map) (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7358-4420-9
Page Count: 64
Publisher: NorthSouth
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
A visually engaging but otherwise underwhelming take on a classic.
A retelling of Alice’s Adventures in Wonderland, set in the Alaskan tundra.
Prolific picture-book author and illustrator Brett depicts Alice with short black hair, tan skin, and a fur-lined parka, while Lewis Carroll’s well-known characters are recast in new guises: The Cheshire Cat and Queen of Hearts appear as a Smilodon (saber-toothed cat) and snowy owl, respectively. Progressing at a rapid-fire pace, the narrative follows key moments of the original plot, including Alice’s fall down the rabbit hole (located within a glacier here), her tea party with the Hatter and the March Hare (this time, with the Old Prospector and the Varying Hare), and a scene where several playing cards paint the roses red (instead, the cotton grass) at the Queen’s behest. Characteristic of Brett’s illustrative style, each spread is packed with detail. Observant readers will find much to explore, from the well-worn playing cards that line each page to the intricate Alaskan birds and mammals featured at every turn. Still, the hectic rhythm of the story might lose youngsters, and its ho-hum text flattens some of Carroll’s whimsy. Adults may be disappointed that Brett has chosen to highlight only the area’s animals and colonial history (the Prospector hearkens back to Alaska’s history of colonial encroachment), with no explicit mention of the land’s rich Indigenous nations and cultures.
A visually engaging but otherwise underwhelming take on a classic. (Picture book. 5-7)Pub Date: Nov. 26, 2024
ISBN: 9780593533888
Page Count: 40
Publisher: Putnam
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Powered by whimsy and nostalgia, a doggone adorable tale of superheroes transforming the world for the better.
Can flying puppies, fueled by people’s hugs, save the world from gloom?
Light-skinned Snarly McBummerpants is busy sending out Mopey Smokes (evil-looking dark brown clouds) from his volcano on the Island of Woe to create a sad state of affairs. But the caped puppies, each equipped with a rocket and hailing from “the outer reaches of NOT-FROM-HERE,” use their abilities to conquer the morose McBummerpants and bring happiness back to everyone’s lives. The meticulously detailed illustrations carry the story, dark colors turning to rainbow hues and frowns turning to smiles. From Big Brad to Tiny Brad, the smallest, most powerful puppy, who “[licks] a kiss right on the tip of Snarly McBummerpants’s nose,” these absolutely endearing pooches elicit a universal “AWWWWWWWWWW!” from all who encounter them. Joyce’s witty illustrations depict diverse children and adults who appear to hail from different decades. Two teenagers wear the bobby socks and saddle shoes of the 1940s and ’50s and sit atop a retro soda cooler. Other kids ride the skateboards of a later era. Laurel and Hardy, classic movie performers who may need introduction, are amusingly pictured as bullies turned florists (a little odd, since only Hardy bullied Laurel). Even McBummerpants seems reminiscent of an old-time movie villain. The text is less inventive than the pictures, but the message of good over evil is always timely.
Powered by whimsy and nostalgia, a doggone adorable tale of superheroes transforming the world for the better. (Picture book. 4-7)Pub Date: Nov. 5, 2024
ISBN: 9781665961332
Page Count: 48
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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