A timeless jewel.
A homeless boy in a 12th-century Korean village makes himself surprisingly useful to a master potter.
Tree-ear has been living with Crane-man under a bridge, scavenging for food and comfort until one day he watches Min, the potter, becoming so fascinated he later creeps back to look at the finished pots. Surprised in the act, one of the pots is broken and Tree-ear must work to pay for the damage. The work is strenuous. Tree-ear aches and bleeds, but gradually he becomes accustomed to the work. Min allows him to continue to help in exchange for food from the master's kind wife. It is in the details that the story lays claim to a sort of Zen quality. Ethical decisions regarding acceptance of lunch and his responsibility to Crane-man are decided with fastidiousness and rectitude. Each choice of Tree-ear's shows an awareness of pride and dignity—not just for himself, but for Crane-man, Min, and his wife. Obtaining a royal commission to make pots worthy of the palace is at the heart of the plot. Intrigues, danger, and the same strong focus on doing what is right turn a simple story into a compelling read. Important details of the times are folded into the narrative without being obtrusive. Tree-ear's story conveys a time and place far away and long ago, but with a simplicity and immediacy that is both graceful and unpretentious.
A timeless jewel. (Fiction. 10-14)Pub Date: March 19, 2001
ISBN: 0-395-97827-0
Page Count: 160
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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