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MY BOOK AND ME

With book banning on the rise, how comforting to read about the book as an object so worthy of adoration.

Stand aside, dogs. A book is a true best friend.

“This is my book. My favorite book. I carry it with me wherever I go.” A parade of different children grace these pages as we hear the myriad ways that they adore their own particular books. We see children reading with their grown-ups, to their pets, on the subway, and more. They’re moved to dress up as beloved characters or memorize the words. Throughout, Caldecott winner Raschka includes two-page wordless spreads featuring scenes from some of these favorite books. Newbery winner Park’s language has a rhythmic, lyrical quality. Though the words don’t always rhyme, they have a cadence that’s pleasing to the tongue (“This is my book. My favorite book. I wake and I take it. I sleep and I keep it”). Brightly colored watercolor art displays children diverse in terms of skin tone and ability. For all its earnestness, occasionally the art slips in a bit of wry humor for adults (as when a child discovers a “missing” book in a high, out-of-reach place, presumably put there by desperate grown-ups tired of endlessly reading this one aloud). Though it may be preaching to the choir, there’s no denying the power of this paean to books and reading.

With book banning on the rise, how comforting to read about the book as an object so worthy of adoration. (Picture book. 3-6)

Pub Date: June 4, 2024

ISBN: 9781636550947

Page Count: 36

Publisher: Red Comet Press

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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