The author of three novels set in different periods of Korean history (A Single Shard, 2001, etc.) now turns to WWII for the story of a brother and sister and their lives with their parents and uncle. Telling their story in alternating voices, the two siblings offer complementary and sometimes different versions of events. Sun-hee, in the last year of elementary school in 1940, loves studying and is an obedient daughter while older brother Tae-yul loves speed and machines. Their uncle is a source of concern because he publishes an underground, anti-Japanese newspaper. The Japanese had conquered Korea in 1910 and as the war looms their demands on the Koreans intensify. Food grows scarcer and the Koreans, long forbidden to study their own culture and language, now must take Japanese names. Thus Sun-hee becomes Keoko. In one memorable passage, Sun-hee misunderstands an oblique warning from her Japanese friend and assumes that her uncle’s life is in danger. He flees, never to be seen again as the war and the post-war communist government in the north keep them apart. This beautifully written story captures these events through the eyes of a very likable young girl. In her voice, readers share the joys of playing cat’s cradle, eating popcorn, and tasting American chewing gum for the first time. Through Tae-yul’s they experience his gritty determination to join a kamikaze unit in order to protect his family from the suspicious Japanese. There is food for thought when Sun-hee’s father tells her that “they burn the paper—not the words” when referring to the Japanese soldiers who destroy her diary. There have been relatively few stories for young readers that are set in Asia during WWII. This powerful and riveting tale of one close-knit, proud Korean family movingly addresses life-and-death issues of courage and collaboration, injustice, and death-defying determination in the face of totalitarian oppression. (afterword, bibliography) (Fiction. 10-15)
Pub Date: March 18, 2002
ISBN: 0-618-13335-6
Page Count: 208
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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