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LITTLE RED HENRY

A story that humorously but gently reminds overprotective families that it is natural and necessary and healthy for a child...

A picture book about a youngest child who wants to grow up...but the rest of the family isn’t ready to let him.

Little redheaded Henry is the adored baby of the family. Mama, Papa, sister Mem and brother Sven all can’t do enough for him. They cart him and coddle him and dote on him—but “[f]rankly, little redheaded Henry [is] sick of it.” When Henry insists on doing for himself, the family is at loose ends—until they rediscover long-neglected personal creative interests that foster healthier familial bonds. Striking a balance between lively and atmospheric, Valentine’s illustrations lend a depth to the lighthearted story of cosseted Henry’s insistence on independence. Her design sense is sophisticated—vignettes are used to great advantage to show movement and time passing, and gutters are expertly utilized in double-page spreads to underscore division. Additionally, readers’ eyes are skillfully navigated through each illustration and to the page turn. Urban’s narrative tone matches the illustrative tone in its sophistication. Relatively complicated sentence structures are combined with simple ones, and the result is an energetic text—although the rule of three is applied with perhaps a bit too much regularity.

A story that humorously but gently reminds overprotective families that it is natural and necessary and healthy for a child to learn to do for himself. (Picture book. 4-8)

Pub Date: April 28, 2015

ISBN: 978-0-7636-6176-2

Page Count: 40

Publisher: Candlewick

Review Posted Online: Jan. 19, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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