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BETWEEN THE LINES

Mixed metaphors cloud the power of this familiar message.

A vibrant neighborhood loses its color, literally, as the community becomes fractured.

Color is not a subtle metaphor in this story of a time when “the colors were swept from our street,” told by an unnamed boy with pale skin. Initially, loose-lined illustrations depict a lively city block in bright hues, but as the “sounds became quieter,” the colors begin to fade. Then, after a violent storm of jagged yellow streaks and bursts of fiery sparks, the color is completely gone. Not only are the city and its residents now composed only of cartoony black lines, but on the ground there is a dark rupture (another line) that divides the neighborhood. In one illustration, the boy stands on one side of the split while a girl with dark skin stands on the other. Is the rift a racial one? The next illustration shows the same children indoors, waving at each other through their windows. Does this “empty sadness” that lasts a year represent the Covid-19 pandemic? Is the emphasis on lines a commentary on society’s disconnectedness? Unfortunately, this year any of these interpretations could be true, and the myriad possibilities dilute a clear message. Nevertheless, the boy decides to do the hard work of clearing the rubble the storm left behind, and as neighbors join in to help, smiles and laughter return, bringing, predictably, the color back.

Mixed metaphors cloud the power of this familiar message. (Picture book. 4-8)

Pub Date: Sept. 28, 2021

ISBN: 978-1-5420-2690-1

Page Count: 48

Publisher: Two Lions

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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