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PINK IS NOT A COLOR

A rosy take on selfhood.

Pink has an identity crisis.

When Pink (an anthropomorphic pink shape with stick arms and legs, wearing cowboy boots and a unicorn horn) hears about the Rainbow Extravaganza from the Primaries and the Secondaries, she wonders why she’s never been involved before. “This is awkward,” frets Orange as Pink confronts the fact that although the others don’t mean to exclude her out of cruelty, she doesn’t belong in the color spectrum. Pink departs and encounters a group of Tints. Next, color theory intertwines with narrative to teach readers about relationships between colors: Text spoken by Brown (who later identifies themselves as a Shade, or a color mixed with black) explains that Tints are colors mixed with white and that Pink belongs to that group along with Coral, Mint, Lavender, Buttercup, and Sky. Despite Brown’s efforts, however, Pink is still having a “midcolor crisis,” but then Gray, an achromatic color and the protagonist of Ward’s earlier title This Book Is Gray, provides reassurance, saying, “Well, you’re definitely a color in my book,” cleverly alluding to Pink’s cameo appearance in that picture book while also supporting her struggle to define herself in this one. With Gray’s help, Pink embraces her Tint identity, saying, “I’m a happy color. And happiness is for everyone.” Who could argue with that? Ward’s cast of colors, pink-cheeked and wearing accessories, speak in color-coded speech bubbles; appropriately, pink hues dominate the exuberant art. (This book was reviewed digitally.)

A rosy take on selfhood. (Picture book. 4-8)

Pub Date: July 1, 2022

ISBN: 978-1-5420-2686-4

Page Count: 40

Publisher: Two Lions

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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