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PLEASE BRING BALLOONS

Enjoy for the subject matter and design, search elsewhere for heart and character.

With balloons and a carousel taking center stage, this nocturnal fantasy will provide a pleasurable lift for young audiences.

When Emma passes the polar bear on the merry-go-round, she notices a message tucked into his saddle: The titular request includes text and a drawing, so pre-readers can help decipher its meaning. On her way to school the next day, the red-haired protagonist affixes a red, polka-dot balloon to the bear’s pole. Returning in the afternoon, she finds a second note requesting more. After the bountiful bunches are attached to the animal, the pair is carried aloft through the sunset and the stars until they reach the snowy Arctic and, in a double gatefold opening, the “polar bear rumpus.” Lined paper, spattered night skies, and washes of white paint over maps and algebraic equations infuse Ward’s cut-paper, pencil and watercolor collages with texture and interest. Her brilliantly hued days contrast with the midnight blue journey and return home. The plot comes full circle when a new message is found. Although this has a stronger storyline than the author’s When Blue Met Egg (2012), a book that felt like a vehicle for collages of New York City, Ward’s dramatic arc is weak, and the voice needs stylistic development.

Enjoy for the subject matter and design, search elsewhere for heart and character. (Picture book. 3-5)

Pub Date: Oct. 17, 2013

ISBN: 978-0-8037-3878-2

Page Count: 32

Publisher: Dial Books

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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I'M A HARE, SO THERE!

Animated and educational.

A hare and a ground squirrel banter about the differences between related animals that are often confused for one another.

Jack is “no Flopsy, Mopsy, or Cottontail,” but a “H-A-R-E, hare!” Like sheep and goats, or turtles and tortoises, rabbits and hares may look similar, but hares are bigger, their fur changes color in the winter, and they are born with their eyes wide open. As the ground squirrel (not to be mistaken for a chipmunk (even though Jack cheekily calls it “Chippie”) and Jack engage in playful discussion about animals, a sneaky coyote prowls after them through the Sonoran Desert. This picture book conveys the full narrative in spirited, speech-bubbled dialogue set on expressive illustrations of talking animals. Dark outlines around the characters make their shapes pop against the softly blended colors of the desert backgrounds. Snappy back-and-forth paired with repetition and occasional rhyme enhances the story’s appeal as a read-aloud. As the story progresses, the colors of the sky shift from dawn to dusk, providing subtle, visual bookends for the narrative. One page of backmatter offers a quick guide to eight easily confused pairs, and a second turns a subsequent exploration of the book into a seek-and-find of 15 creatures (and one dessert) hidden in the desert. Unfortunately, while most of the creatures from the seek-and-find appear in poses that match the illustrations in the challenge, not all of them are consistently represented. (This book was reviewed digitally with 7-by-20-inch double-page spreads viewed at 53.3% of actual size.)

Animated and educational. (Picture book. 3-5)

Pub Date: March 16, 2021

ISBN: 978-0-358-12506-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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