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ROSCO VS. THE BABY

Call the ref—this bulldog and baby are down for the count.

A French bulldog learns to love the new baby at his house.

Rosco is a “heavyweight champ,” a fierce protector of his territory. He barks at any perceived threat, illustrated by repeated streams of the word “Bark!” set in hand-lettered, flowing lines that cover an entire spread. Attractive, large-format illustrations in cut paper, watercolor, and pencil use a pastel palette and lots of white space to tell the story of the perceived matchup between bulldog and baby. At first Rosco is hurt and confused by the new, pink-skinned baby at his house, but then jealousy sets in, and the pair face off: “Two heavyweights. One house.” The story structure shifts to a boxing-match format, with dog and growing baby skirmishing in rounds one through eight, augmented by scores posted at the bottom of the page. By Round 8, the baby has grown into a toddler, and he and Rosco are pals, “totally knocked out” as they nap together. Boy and bulldog are then faced with new opponents: newborn twins. The final line of text ominously predicts, “This house wasn’t big enough for the four of them.” Though it may be amusing for adults, the boxing-match metaphor is on the ropes here, inappropriate and way over the heads of the intended audience. Showing a protective, jealous dog in an unsupervised setting with a baby sets up an unsafe situation that is presented as simply humorous.

Call the ref—this bulldog and baby are down for the count. (Picture book. 3-7)

Pub Date: June 14, 2016

ISBN: 978-1-4814-3657-1

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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