Cute but unconvincing.
“All the best things / come in three” burbles the twin-ponytailed Asian-American 3-year-old who narrates the rhyme.
The little girl is joined by a redheaded white boy with rosy cheeks and an African-American girl with a curly topknot. From three bears and three pigs to three primary colors (“Red, yellow, and blue”—each word in its proper hue), the text progresses to more nuanced concepts. Examples of learning about sharing, time-outs, and the occasional mess at dinner are tucked in. There’s some difficulty in accepting the language and activities as genuinely rising from 3-year-olds, though. The redheaded boy writes the first three letters of the alphabet neatly on a blackboard. The topknotted girl has a backpack with a Book of Haiku in it. They play hopscotch and hide-and-seek. The narrator’s favorite treat is a Neapolitan ice cream cone, clearly delineated in the pictures but very large indeed for a 3-year-old, even if she knows the name of it. At the end, the two girls are shown reading to themselves before bed, surely rare for the age. (The redheaded boy is already asleep.) The pictures, made with cut paper, ink, and pencil, are full of delightful bits and pieces that are often a little surreal: three chickens whose word balloons are French, for example.
Cute but unconvincing. (Picture book. 3-6)Pub Date: Feb. 16, 2016
ISBN: 978-0-525-42869-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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