Slenderly executed work of stunning emotional magnitude.
An elderly man dying of cancer finds redemption through his wife’s love, in this Norwegian novelist’s minimally drawn, quietly detached, very moving third outing (Stella Descending, 2003, etc.).
At 69, Johan Sletten—an ordinary man, twice married, not terribly courageous or dignified, having enjoyed some success during his 40-year-career as an Oslo newspaper journalist, and a recent humiliation for plagiarism—discovers that his cancer is spreading and he has only a few months to live. The “grace” in his life is Mai, his second wife, a pediatrician, 17 years his junior, and utterly devoted to Johan despite his ordinariness. While Johan is haunted by the indignity of his father’s last days, and the prospect of ending the same way, he extracts from Mai the promise to help him at all costs if his illness “should become a burden.” With the expediency of the healthy (and with relief, Johan notes wretchedly), Mai agrees to help him die when the time comes. His last days become a sequence of small, enormously affecting moments of grace: watching Mai quietly reading in evening firelight, remembering times as a child picking strawberries with his Mamma, and meeting his unlovable grown son, Andreas, again after an estrangement of eight years. The time for keeping control comes swiftly, however, and Johan, babbling on morphine, fights all the way up to an ambiguous close: Does Mai give him the lethal injection against his will? Ullmann writes with a wondrously light, deft touch, selecting the most telling, startling detail to sketch her characters, such as Mai’s lying about seemingly insignificant matters, and Johan’s choosing to hide behind a tree than meet confrontation. Ullmann’s detachment is wry rather than cold, and her pared-down portraits result in real characters who carry all the true-life weight of self-doubt and inner purpose.
Slenderly executed work of stunning emotional magnitude.Pub Date: Jan. 27, 2005
ISBN: 1-4000-4285-2
Page Count: 144
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2004
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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