by Linn Ullmann & translated by Barbara Haveland ‧ RELEASE DATE: Aug. 18, 2003
A very strange tale that could have been unbearably pretentious—but it’s deft and light enough to work, creating just the...
A haunting, elegiac account of a woman’s mysterious death, told by this Norwegian second-novelist (Before You Sleep, 1999) through the voices of the detective and survivors trying to make sense of the case.
There is Twin Peaks–like weirdness to this story, which is much too elliptical to qualify as a typical whodunit. We begin with the death of Stella, an Oslo nurse who falls from the roof of her seven-storey apartment building. Her husband Martin was not only on the roof, too, but seen holding onto her just before she fell—or was he pushing her? The witnesses can’t quite make up their minds. Corinne, the detective investigating the case, is a former ventriloquist whose stomach turns (literally) whenever she is in the presence of a killer. She has a bad feeling about Martin, but there’s not enough evidence to charge him with anything. Corinne also happens to know that in 1934 a lovelorn actor killed himself by jumping off the very same roof. Axel, an old man whom Stella had nursed in the hospital and who subsequently became her friend, had a bad feeling about Martin, too. Martin is a furniture salesman who sold Stella a green sofa and refused to leave after he delivered it—he and Stella had been married for ten years when she died. It seems that Martin had a kind of private game in which he took it upon himself to sleep with every woman who ever bought a green sofa from him. Stella had some quirks, too: She let a plumber move in with her when she couldn’t afford to pay him (he even stayed after she and Martin were married). So, were she and Martin up to something weird on the roof, or was the death just an accident? Or a murder? Suicide?
A very strange tale that could have been unbearably pretentious—but it’s deft and light enough to work, creating just the right atmosphere of foreboding and regret.Pub Date: Aug. 18, 2003
ISBN: 0-375-41499-1
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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