A sharp-edged tale in verse of colonial suppression, resistance, and survival.
An epic poem, much honored in Sweden since its publication in 2018, that charts the fortunes of a Sámi community against opposing nationalisms.
There was a time when Norway and Sweden were united as a single country. The union dissolved in 1905, and eight years later, as Sámi author Axelsson’s epic begins, a boundary is forming between the two that impedes the free movement of a reindeer-herding Arctic community. “Once May Day passed we were allowed to cross the border into Norway,” says one speaker, while “the Swede he dammed // And the river was left / muffled and silent.” In the face of this degradation, where the Sámi are barred from herding grounds, ancient migratory routes are blocked, and villages are swallowed by rising waters, a young man dies accidentally, a ghost whose presence hovers over the generations. He laments to his distraught father: “Didn’t you hear me // Among the seabirds / as you came walking / with your summer-fat / reindeer,” and his grave will forever be unquiet. Fast-forward two generations, and the Sámi have themselves been herded into government villages, their children packed off to boarding schools to be acculturated as Swedes; one matriarch, subjected to that cultural annihilation, recalls questions from her daughter: “Tell me what it / was like at the Nomad School / Mama // I’m supposed to write / an essay about / you in school.” Adds one character, Lise, speaking a century after the epic begins, “And I did not / want to talk about it.” As Axelsson charts the story of the Sámi under colonial rule, the reader will be reminded of the injuries done to Indigenous peoples everywhere. But there is at least some resolution: Axelsson describes present-day Sámi activists fighting to regain control of traditional lands, with young descendants teaching their elders about their culture. Such is the case with another matriarch, Sandra, who’s “Trying / as a grown woman / to learn Sámi / with her children.”
A sharp-edged tale in verse of colonial suppression, resistance, and survival.Pub Date: Jan. 9, 2024
ISBN: 9780593535455
Page Count: 448
Publisher: Knopf
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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