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TERRANCE THE HOTHEAD

This engaging tale may help young readers grappling with big feelings keep their cool.

Awards & Accolades

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A teapot learns techniques to help manage his emotions instead of boiling over in this picture book.

Terrance is a little teapot full of huge feelings: “Things never felt small to Terrance. They always felt big and hot.” Granny reminds Terrance before school of what his speech therapist taught him: decide if he’s at a simmer, a steam, or a boil when gauging his emotions. At school, Terrance gets upset over small things: not getting to go first at tea-ball and being told a teapot joke by Lanie Cup. In therapist Lady Grey’s office, Terrance explores his feelings and why he’s upset; he realizes that Lanie isn’t teasing, she just wants to be his friend. When he has the chance to play a game with Lanie at recess, he simmers down and suggests taking turns. Cloherty adapts real-world techniques that encourage balanced emotional responses to a pun-filled story. Teacups, pots, glasses, kettles, and spoons populate this imaginary world, making metaphoric emotional responses literal. The author transforms some complex ideas into accessible language, making it easy for young readers and adults to discuss ways to apply techniques, guided by prompts and descriptions in the backmatter. Additional text and milestones provide helpful resources for adults. Lopez’s cartoon illustrations deftly portray Terrance’s steaming responses, and the kid-friendly designs and compositions will encourage reader giggles.

This engaging tale may help young readers grappling with big feelings keep their cool.

Pub Date: Feb. 22, 2022

ISBN: 978-1-58041-279-7

Page Count: 36

Publisher: ASHA Press

Review Posted Online: March 21, 2022

Kirkus Reviews Issue: May 15, 2022

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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