Taut pacing and complicated characters shape this rich examination of the modern family.
British bestseller Jewell's last few novels have been a revelation—emotionally sophisticated and complex—and this latest, which gradually rewrites the history of a "perfect" family, is a fine follow-up.
Late one night, alone and uncharacteristically drunk, 30-year-old Maya is hit by a London bus. Was it an accident? Suicide? Her husband, Adrian, can't imagine why his sweet Maya would want to kill herself, but as the novel unfolds, cracks are revealed in his perfect family. An architect pushing 50, Adrian Wolfe is a lovely man, as everyone agrees. His first wife, Susie, mother of the gregarious Cat and pretentious Luke, both in their 20, holds no hard feelings that he left her in the country for a glamorous London life with the chic Caroline. Caroline lives in their stunningly restored Islington townhouse with their three children, all under 12, Otis, Pearl, and Beau. When, four years ago, Adrian left Caroline for Maya, he made every effort to keep the family intact—all of them holiday together (three wives, five children) and happily share custody. Or so Adrian insists to anyone who asks. When a strange woman begins stalking him, and Luke finds threatening emails addressed to Maya on her laptop, Adrian begins to investigate. In flashbacks from Maya's perspective, another side of the Wolfe family is revealed—she feels like an interloper, childless in a family where children are totems, and is slowly disintegrating from the onslaught of anonymous emails (though she knows they must be from a family member—the missives are too intimate and immediate to have been written by anyone else). Most damning of all, she finds herself falling in love with the family's other outsider, Luke. Adrian is convinced the woman stalking him has answers, if only he can track her down. Although it is certain no one literally pushed Maya into that bus, Jewell shapes the novel as part whodunit, part psychological thriller: Maya was excised from the family, but why and by whom?
Taut pacing and complicated characters shape this rich examination of the modern family.Pub Date: June 9, 2015
ISBN: 978-1-4767-9218-7
Page Count: 352
Publisher: Atria
Review Posted Online: April 1, 2015
Kirkus Reviews Issue: April 15, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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