With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility...
British author Jewell’s fifth novel (after A Friend of the Family, 2003, etc.) is a deliciously addictive read filled with London oddballs, horrid husbands and romantic destiny.
Thirty-five year old Vince is sitting in a kitchen with friends, fresh from the demise of his marriage to wild-child Jess, when the conversation veers to the first time each had sex. Amid tales of awkward fumbling and comic disappointment comes Vince’s recollection of Joy. They met as misfit teenagers at a third-rate beach resort—their parents’ rented trailers stood side by side—and the two, Joy beautifully fragile despite the army surplus shorts, Vince ruggedly handsome, experienced something close to love at first sight. After much hand-holding and a youthful baring of souls, Vince and Joy have a perfect night of sex in a field, and then through a series of miscommunications, the two are separated for another 17 years. What ensues is mundane life—dreary, disappointing, occasionally brilliant, most often just ordinary, as Vince and Joy attempt to navigate relationships all wrong for them. With a dead-end job and nursing a slightly bruised heart, Joy responds to a personal ad for a man described as handsome. He is not. But accountant George is rather sweet and interesting and enjoys the nightly spliff. And though Joy is not attracted to him in the least, the two begin a pallid romance that leads to a miserable marriage. Meanwhile, Vince has paired up with Jess, a free spirit who’s just a bit too free for Vince’s taste, what with the partying, the ex-boyfriends hanging about and the drug use, with an infant at home. Through the years, Vince and Joy’s paths have crisscrossed, but always at the worst possible time, delaying the inevitable, fated true love. Can Jewell sustain 500 pages of suspense until our lovers reconnect? Can a reader survive this much romantic pudding? Oh, yeah.
With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility of real love.Pub Date: Oct. 1, 2006
ISBN: 0-06-113746-4
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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