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BLUE HAVEN

A psychological thriller that’s full of surprises and confronts the dangers of artificial happiness.

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In King’s suspense novel, a newly wealthy woman buys a condo at an exclusive overseas development only to find that her new home is hiding troubling secrets.

Aloe Malone had a challenging early life, including abandonment by her mother, time in foster homes, and work at her aunt’s dingy diner. Things changed when she won the lottery and bought a place in Blue Haven, the world’s most exclusive beachside housing development. The experience of moving, however, was rather odd: She was rendered unconscious while traveling there, to keep its location secret, and upon arrival, she finds only five other residents. Although Blue Haven boasts the world’s tallest skyscraper, it’s a ghost town. Her concierge, Amir, is welcoming, though, and the other residents are also happy to see her; they include an eccentric retired couple, a muscled 25-year-old named Westley, and a former opera singer named Bibs. They have amazing dinners on the beach: “Aloe loved the ambiance, cast somewhere between Shakespeare’s A Midsummer Night’s Dream and an episode of Survivor.” But when she tries phoning her grandmother and others, no one picks up. A diary she finds under her bed, written by a former resident, tells a chilling story that suggests something at Blue Haven is terribly amiss. King’s smart thriller starts as an enticing trouble-in-paradise drama, but it soon blossoms into something more complex—an unexpectedly engaging psychological quagmire with SF elements. As Aloe’s mental state deteriorates, more is revealed about her identity and about Blue Haven, leading to a twist that the author handles with dexterity and which makes the story’s scientific aspects hard to resist. King also excels at portraying how innovation, when taken to an extreme, can take a heavy toll on human relationships. Along the way, the work also touches on intriguing ethical issues.

A psychological thriller that’s full of surprises and confronts the dangers of artificial happiness.

Pub Date: May 31, 2022

ISBN: 978-1-61188-320-6

Page Count: 336

Publisher: The Story Plant

Review Posted Online: April 25, 2022

Kirkus Reviews Issue: June 15, 2022

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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