An evocative nod to the power of lateral thinking and flights of fancy.
A redheaded pixie takes to the woods with her father in hopes of seeing cavemen and other wild things.
“All Dad does is work,” says Tora, the pint-sized narrator. “He is a very boring father.” Gee, what does a guy have to do to cop a break? Take his wee one to the forest, for a start; in the green gloaming of the trees live great and fearful creatures, which are just Tora’s cup of tea. And if it turns out that their forest has more ants, squirrels and woodpeckers than hyenas and Bigfeet, then it is time for a little blue-sky thinking: That root is a boa constrictor (or maybe an anaconda), that hump of rocks is a crash of hippos, and that copse of birch trees is a tower of giraffes. (In the book, the congregation of giraffes is referred to as a flock, which may have something to do with the book having been originally written in Swedish.) All it takes is looking the right way, Tora tells her father, who is caught on his GPS or cellphone once too often. The artwork is deft and atmospheric, with a delicacy that lets the creative imagination loose. When it comes time for the father to show his stuff, he doesn’t let Tora down, boring as he is, with a water dragon. A water dragon “only eats fish fingers,” he assures her.
An evocative nod to the power of lateral thinking and flights of fancy. (Picture book. 4-8)Pub Date: April 1, 2014
ISBN: 978-1-877579-89-9
Page Count: 32
Publisher: Gecko Press
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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