by Lisa Regan ‧ RELEASE DATE: July 25, 2017
A wonderfully written crime tale that favorably compares to the work of Michael Connelly, James Lee Burke, and Elmore...
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Suspense novelist Regan (Aberration, 2013, etc.) tells the story of a woman victimized by a twisted kidnapper and sexual predator.
At the book’s outset, readers find out that Claire Fletcher was kidnapped on her way to school 10 years ago, when she was 15. In the very next chapter, set in the present, 25-year-old Claire is in a bar, where she seduces off-duty Detective Connor Parks of the Sacramento Police Department, whose own personal and professional life is in shambles. They have a tryst at his apartment, but she quickly leaves so that she can return to her kidnapper before he realizes that she’s missing; she leaves Connor with her family’s address, trying to let them know that she’s still alive. When he finds out about Claire’s true situation, he becomes determined to find her. He gets help from his buddies on the force and from private investigator Mitch Farrell, an old family friend of the Fletchers. Claire was abducted by a twisted man with a dark past. For years, he’s been tying Claire up and brutalizing her—all the while declaring his love for her and telling her that she will come to love him. Eventually, though, she’s allowed a very small amount of freedom—which she uses to her advantage. Her kidnapper is assisted by a young woman named Tiffany, a runaway who sees Claire as a rival. The story effectively toggles between first-person narration (from Claire’s point of view, in captivity) and a third-person perspective, which usually focuses on Connor. Regan’s pacing is a marvel—one moment, she’s lingering on the grotesque, brutal treatment of Claire, and the next, she shifts gears to show Connor’s frantic pursuit of the kidnapper. The latter is truly a monster, and his portrayal will disturb readers’ sleep. Claire, meanwhile, is believably shown to be gutsy and resourceful under conditions that would crush even the toughest people. Tiffany’s minor role becomes a star performance, mixing evil with apparent innocence.
A wonderfully written crime tale that favorably compares to the work of Michael Connelly, James Lee Burke, and Elmore Leonard.Pub Date: July 25, 2017
ISBN: 978-1-5420-4610-7
Page Count: 396
Publisher: Thomas & Mercer
Review Posted Online: Feb. 21, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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