A backstage pass to the greatest circus of the 20th century.
A lifetime of memories from classic rock’s heyday by one of the finest rock journalists of her generation.
It wouldn’t be surprising if Cameron Crowe’s misty-eyed classic Almost Famous comes to readers’ minds as they troll through this book by longtime New York Post and Vanity Fair journalist Robinson. The author covers her career from joining the Rolling Stones on tour in 1969 to more recent profiles of megastars like Eminem, Kanye West and Lady Gaga. It’s a fantastic collection of stories, partially due to the fact that Robinson is a top-notch writer and partly since she enjoyed completely unfettered access and the genuine friendship of figures ranging from John Lennon to Phil Spector. Most of the chapters cover major figures—David Bowie, Led Zeppelin and an elegiac remembrance of Michael Jackson, to name just a few—but Robinson also seems to have a foot in two worlds. While she jetted around the world with champagne in hand, she was also deeply embedded in the origins of the legendary New York City club CBGB. In its orbit, she bonded with gutter rats like the Ramones and introduced David Bowie to Lou Reed for the first time. There’s also a bittersweet melancholy that underpins much of the book. On the recent Zeppelin reunion, she writes, “I didn’t go. I prefer to remember them the way they were. It’s been a long time. The song couldn’t possibly be the same.” On learning there’s a “Joey Ramone Place” in the Bowery now, she recalls some lyrics by Bob Dylan: “They’re selling postcards of the hanging.” On punk rock: “Scenes aren’t meant to last. The best of them sneak or burst into the consciousness of a few. They blow up into something they weren’t to begin with. And then, they eventually burn out.” All of these movements have been written about before, but the scope of Robinson’s memoir lends it an extraordinary spirit.
A backstage pass to the greatest circus of the 20th century.Pub Date: April 22, 2014
ISBN: 978-1-59448-714-9
Page Count: 420
Publisher: Riverhead
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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