Both timely and historical.
A children’s biography of a complex figure.
The much-interpreted facts, not to mention meaning, of Dr. James Barry’s life are squarely presented in this quiet picture book. After opening with “Imagine living at a time when you couldn’t be the person you felt you were inside,” the story provides some scant information about Dr. Barry’s early life: his female-assigned birth and feminine name in 18th-century Ireland, the restrictive roles for women in that time and place, and Barry’s decision to pass as a man in order to enroll in medical school. At this point the story shifts from she/her pronouns to he/him, as the story dutifully but calmly follows Barry on his travels as a military doctor. The illustrations are subdued and old-fashioned, with background scenes often depicted in smudged black and gray scribbles and the White protagonist surrounded by an almost all-White cast. An early question asks, “Why did Margaret become James? She never said. Nor did he.” Despite the interesting character at its center, this story comes across as somewhat dull, the subject matter proving much more lively than the telling. It ends with the claim that “James was living his truth” without making clear what truth, precisely, Barry was living. An author’s note tries to clarify a position that isn’t as clear in the text, with final notes fleshing out Barry’s biography and discussing gender-neutral pronouns and nonbinary identities. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 19.1% of actual size.)
Both timely and historical. (Picture book/biography. 6-10)Pub Date: Oct. 20, 2020
ISBN: 978-1-9848-4905-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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