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ANGRY OPTIMIST

THE LIFE AND TIMES OF JON STEWART

In the forest of quotations, Stewart still often eludes his pursuer.

A prolific biographer (Stephen King and Colbert are among her subjects) returns with a good-news/bad-news account of the career of the host of the Daily Show.

Rogak’s endnotes (One Big Happy Family: Heartwarming Stories of Animals Caring for One Another, 2013, etc.) indicate that virtually all of her many quotations come from previously published sources (she does mention a few phone interviews, though not with Stewart himself), so there’s kind of a highly competent term-paper feel throughout her breezy narrative. She begins by calling Stewart (born Jonathan Stuart Leibowitz in 1962) “a bundle of walking contradictions”—the principal one being the contrast between his very popular public self and his intensely private life. Those who know Stewart only in his current capacity will be surprised to learn about his chops as a high school trumpet player and his talent in soccer (he played for the College of William and Mary). Readers won’t be surprised to learn that he was a joker throughout his life; he was named the senior with the best sense of humor in his high school. Rogak follows his early struggles to become a professional comedian (his first appearance was less than auspicious) and his steady rise through the ranks of his competition (which included Ray Romano, Chris Rock and Louis C.K.), his early experiences on TV, his near misses for prestigious jobs, his arrival in 1999 at the Daily Show and its ensuing steady success. In the early chapters, the author is highly flattering; later, she quotes some tough things about Stewart from former employees who talk about the harsh work environment, Stewart’s temper and his failures to include many women on the staff. She also rehashes his media battles with Crossfire and Mad Money and mentions those who have left his show to succeed elsewhere (Steve Carell, Stephen Colbert). Rogak unearths just a bit about his personal life—a quiet, happy marriage and fatherhood.

In the forest of quotations, Stewart still often eludes his pursuer.

Pub Date: Sept. 9, 2014

ISBN: 978-1250014443

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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