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CLOSE YOUR EYES AND COUNT TO 10

The perils of the real and virtual worlds collide effectively in this relentlessly paced thriller.

Engaging characters meet for a game that turns deadly.

Adele Crane’s life was shattered when her seemingly wonderful husband, Miller, vanished along with millions of dollars embezzled from the tech company he founded. Adele has been struggling to make a living and raise her traumatized kids: fiercely independent Violet and sweet-natured introvert Blake. Always athletic, she’s rebuilt her confidence with half-marathons and an online presence as a health influencer. So, it makes sense when Blake suggests she apply for a streaming reality competition for influencers called Extreme Hide and Seek. Contestants are taken to some challenging location, where they hide from the Extreme team. Last one found wins $1 million. That’s how Adele finds herself on remote Falcão Island, the site of Enchantments, a luxury resort built in the 1980s but long abandoned and now about to collapse. It’s quickly apparent that the Extreme team itself is on the verge of chaos. Its founder and star, Maverick Dillan, began his career as a kid doing skate stunts for viral videos, but now he heads a hugely successful enterprise—or so it seems. Maverick is approaching middle age, and all his past injuries and current pressures are catching up with him, accelerated by the fact that on the last round of Extreme Hide and Seek, one contestant, a young woman named Chloe Miranda, hid and was never found—something that internet vigilantes won’t let him forget. Maverick’s girlfriend, no-nonsense Angeline, is holding him and the company together, but it’s tough. The team’s other three members are his oldest friends, but fractures are appearing. Adele’s competitors, a former kids’ show host called Wild Cody and a famous young mountain climber named Malinka Niqui, have problems of their own. As they assemble on Falcão for the contest, they’re warned to leave by a mysterious old woman with a paramilitary backup team—and then a huge tropical storm blows in. Weaving together multiple points of view from her believable characters, Unger plunges the reader right into a sense of dread, then skillfully ratchets up the physical terrors of the challenge while revealing one disturbing secret after another.

The perils of the real and virtual worlds collide effectively in this relentlessly paced thriller.

Pub Date: Feb. 18, 2025

ISBN: 9780778333364

Page Count: 384

Publisher: Park Row Books

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: today

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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  • New York Times Bestseller

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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