Next book

EVEN MONSTERS GO TO SCHOOL

Every monster, imaginary or not, will enjoy this and hopefully also find something to enjoy about school.

A grown-up monster describes in rhyming verse how monsters of all types go to school, and so must this child monster, no matter how glum about the prospect.

The copyright page and first spread show a very reluctant monster coming down the stairs, dragging a bouncing backpack, to a breakfast of mush. No text sets up this situation. Instead, the text reads “When Bigfoot wakes, he combs his hair…,” which is confusing since none of that is shown. The page turn then syncs text with image, showing Bigfoot jumping out of a tree to catch the bus: “and steps out in the morning air. / Yellow bus is waiting there. // Even Bigfoot goes to school.” The rhyming, smartly scanning stanzas continue, showing that Frankenstein (the monster, wearing Converse-like shoes), dragons, Yeti, bridge trolls, the Loch Ness Monster, Jack’s giant, and aliens all go to school. The last few spreads return to the titular monster, blue-furred with yellow horns and purple stripe and sporting a pink dress and purple backpack, getting ready and then happily waving goodbye while headed to the bus. Van Dusen’s gouache illustrations are spring-bright and cheerful, every (nonscary) imaginary beast delighting in some aspect of school. Once past the opening narrative hiccup, young readers will delight in the premise and in the myriad visual details, which do include gender-binary restrooms in one scene.

Every monster, imaginary or not, will enjoy this and hopefully also find something to enjoy about school. (Picture book. 3-7)

Pub Date: June 18, 2019

ISBN: 978-0-06-236642-9

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

Next book

IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

Next book

JULIA'S HOUSE MOVES ON

From the Julia's House series

This magical wisp of a story has an imaginative message for both planners and improvisers.

Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.

Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)

This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)

Pub Date: Sept. 29, 2020

ISBN: 978-1-250-19137-3

Page Count: 40

Publisher: First Second

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

Close Quickview