by Lisa Wheeler & illustrated by Frank Ansley ‧ RELEASE DATE: Oct. 1, 2002
It’s difficult to explain why Runt, the aptly named young gobbler in Wheeler’s tale, cares for the well-being of his hale and hearty older brother, Turk, as in turkey, real and metaphorical. Runt’s parents lavish all their attention on Turk, all their praise, hopes, and counsel. “He’s a dancer,” said his mother. “He’s an athlete,” said his father. “He’s a goner,” said Runt, for only Runt seems to understand that handsome, plump birds get the chop at holiday time. Runt is full of such Woody Allen quips, and like Woody, Runt is also the unlikely hero, saving Turk from being purchased, roasted, and gently basted, by acting like a lunatic and scaring off potential buyers. Then, when a pinched and parsimonious shrew sets her sights on Runt, it’s Turk’s turn to do the right thing, and he pulls through. Wheeler’s (Sailor Moo, Cow at Sea, p. 890, etc.) comic timing is well tuned here—even if her repetitive authorial aside, “But no one ever listened to Runt,” quickly begins to grate. But most inspired are the luxurious watercolors from Ansley (Wool Gathering, 2001), with their midnight blues, regal purples, and turkey-skinned pinks depicting Turk in his football gear and assorted buyers in their most comic animation. (Picture book. 4-7)
Pub Date: Oct. 1, 2002
ISBN: 0-689-84761-0
Page Count: 32
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
Share your opinion of this book
More by Lisa Wheeler
BOOK REVIEW
by Lisa Wheeler ; illustrated by Barry Gott
BOOK REVIEW
by Lisa Wheeler ; illustrated by Barry Gott
BOOK REVIEW
by Lisa Wheeler ; illustrated by Barry Gott
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
Share your opinion of this book
More by Tish Rabe
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Share your opinion of this book
More by Andrew Clements
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Andrew Clements & illustrated by Mark Elliott
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.