It’s not hard to sympathize with the trolls—once one gets past their personal habits and dietary preferences, anyway.
A fresh gathering of trollish tales and lore from a veteran storyteller and folklorist.
As in Lunge-Larsen’s The Troll with No Heart in His Body and Other Tales of Trolls from Norway, illustrated by Betsy Bowen (1999), the sources are Scandinavian and the trolls generally come out second best in each encounter. Each story highlights or incorporates a particular troll “weakness,” such as distractibility (Nils, a red-capped gnome, makes a “Narrow Escape” from two hungry trolls by announcing that he’s too dirty to eat and sending them off after soap) or vulnerability to sunlight (“The Boys Who Met Trolls in the Woods” steal the monsters’ single eyeball and walk off with buckets of treasure after tossing the eye up to catch a sunbeam). The author freely incorporates original and folkloric elements into the tales, relating them in a simple, forthright way that makes them as easy to tell aloud as to read. She closes with a clever suggestion that the remains of trolls can be seen in many mountains and rocky islands, if looked at in just the right way. Craggy, mossy, blunt-featured hulks reminiscent of Arthur Rackham’s confront much smaller, light-skinned young folk in Vick’s watercolor-style illustrations, adding both drama and a “Golden Age” flavor to the proceedings.
It’s not hard to sympathize with the trolls—once one gets past their personal habits and dietary preferences, anyway. (source notes) (Folk tales. 8-11)Pub Date: Oct. 1, 2017
ISBN: 978-0-8166-9977-3
Page Count: 96
Publisher: Univ. of Minnesota
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...
“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”
To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth. (glossary, thumbnail bios) (Memoir. 8-10)Pub Date: May 1, 2011
ISBN: 978-0-8109-9728-8
Page Count: 48
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK TO SCREEN
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