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THE DIRTY BOOK CLUB

There are many loose threads, though the ending is a relatively happy one. To her credit, in the knots she does tie up,...

Four women become unlikely allies when chosen to take over an existing "Dirty Book Club” in Harrison's first novel for adults.

It’s easy to get a bit confused following the events of this novel. There are four present-day female characters of note and four ladies from the past (not dead, though it sometimes feels that way), and each of the eight women struggles with her relationships, so there's a lot to track. The location is the fictional Pearl Beach, California, and the nominal protagonist is M.J., who moves there in a huff after her promotion at a New York City magazine goes awry, though she tells herself—and others—that she moved to be with her boyfriend, Dan. Dan lives next door to Gloria Golden, one of the Dirty Book Club founders, who, when her husband dies, swiftly moves to Paris with the other founding members, fulfilling a 54-year-old promise and leaving behind a bevy of rituals and instructions for M.J. and three others: Addie, the sexually liberated cynic, Jules, the sweet Southern romantic, and Britt, the sharp-tongued but disillusioned wife/mother/realtor. Initially, the women are (at best) wary of each other, and Harrison is snarky toward all of them, giving much of the book a sharp feel that is sometimes funny but lacks the warmth that appears when the original members make an appearance—they're glimpsed through the notes they took after each of their book-club meetings and seem a very Ya-Ya bunch. But the modern women bond over their respective predicaments, a handful of high jinks, and a lot of talk about what one should expect from a romantic relationship and how friendship can potentially fill in the gaps.

There are many loose threads, though the ending is a relatively happy one. To her credit, in the knots she does tie up, Harrison avoids easy or expected solutions to complicated, adult situations.

Pub Date: Oct. 10, 2017

ISBN: 978-1-4516-9597-7

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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