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THE LAST TIME I SAW YOU

The two sisters who write as Constantine (The Last Mrs. Parrish, 2017) can do better than this.

"Baltimore Heiress Bludgeoned to Death in Her Home"—and now the killer is after the dead woman's daughter.

"Only days ago, Kate had been mulling over what to get her mother for Christmas. She couldn't have known that instead of choosing a gift, she'd be picking out her casket." Unfortunately, things are about to get much worse. Immediately after the funeral, Kate receives a text. "You think you're sad now, just wait. By the time I’m finished with you, you'll wish you had been buried today." That same night, she finds three mice in her bathroom sink with their eyes gouged out, accompanied by another alarming message. "They all ran after a charming life / he took their eyes with a carving knife / Did you ever see such a beautiful sight / As three dead mice." Kate and her semi-estranged husband, Simon, hire round-the-clock security guards, since one thing these people have is plenty of money. Also Ivy League degrees, designer clothes, a nanny, a cook, a beach house, a foundation, and big, successful careers. Simon is an architect, and Kate is a pediatric cardiothoracic surgeon, or at least she's supposed to be—there's not a single detail that makes this feel believable, unless "she’d worked her butt off to get into med school and to ace the MCATs" counts. Maybe complaints about the money-porn aspect of the book seem picky, but the whodunit aspect, which is where it lives or dies, is not much more substantial. Suspicious details pile up so quickly against the various suspects that one never actually suspects them, and then so much backstory has to be shoehorned in at the last minute to support the solution to the puzzle that it's not very satisfying.

The two sisters who write as Constantine (The Last Mrs. Parrish, 2017) can do better than this.

Pub Date: May 7, 2019

ISBN: 978-0-06-286881-7

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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