While this volume comes to a satisfying conclusion, thoughtful readers will keep pondering the future of Forge and its people
A debut fantasy spins standard tropes into a dark, morally complex adventure.
Fearless former “gutter rat” Kyra gleefully steals from the wealthy, while the upright knight Tristam pledges to defend the city of Forge against the marauding Demon Riders. When the charismatic James persuades Kyra to aid the Assassins Guild in their effort to undermine the corrupt aristocracy, the ensuing plots and counterplots strain loyalties and threaten the entire city. Hoary genre clichés are refreshed by nuanced portrayal: Forge appears a typical medieval-ish fantasy city, but it’s rife with oppression and festering resentments; the Demon Riders’ wildcats, the only magical element, feel convincingly alien. Kyra, at first seeming a tiresome rehash of the “thief with a heart of gold” type, has her naïveté ripped away with a shockingly brutal choice that sends repercussions reverberating throughout the story. James, introduced as a charmingly seductive bad boy, loses his romantic appeal with his cynical manipulations. Even Tristam, the most conventionally virtuous protagonist, finds that base methods in pursuit of laudable ends have tragic consequences. Each character must choose between bad and worse options, and not all make the “right” decision. While both Kyra and Tristam achieve redemption (of a sort) by the end, they pay a cruel price—and neither is altogether certain it was worth the cost.
While this volume comes to a satisfying conclusion, thoughtful readers will keep pondering the future of Forge and its people . (Fantasy. 12-18)Pub Date: July 8, 2014
ISBN: 978-1-4231-7638-1
Page Count: 384
Publisher: Hyperion
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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