by Liz Flanagan ‧ RELEASE DATE: Oct. 15, 2019
“Cinderella” plus dragons is an always-appealing trope; the anti-racist polemic adds some flavor
An orphan foundling finds four dragon eggs on an island nation that’s divided by nationalism and bigotry.
Twelve-year-old Milla works in the household of a wealthy merchant and his children, the twins Isak and Tarya. Though the twins are privileged, white Norlanders and Milla is their brown-skinned servant of uncertain parentage, the three children are dear friends. But in one chaotic day, Milla witnesses a murder, Isak learns he’s being sent away to learn a trade, Tarya’s told she’ll be marrying the duke’s only son—and then there are the eggs. The murdered man hid a sack containing four dragon eggs before he was killed, and only Milla saw him do it. The children are soon pulled into political intrigue against their will, as their island of Arcosi (realized with Italian inflections and colonized by the vaguely Nordic Norlanders) is torn apart by the nationalist bigotry of the duke’s police state. Is the return of dragons a sign that things are improving for Arcosi? Or is it just another reason for the increasingly paranoid duke to harm the most vulnerable? Despite shakiness in the story’s logic, there’s a reason that tales of penniless nobodies forming life bonds with dragons have enduring popularity, and this book falls squarely into that winning formula.
“Cinderella” plus dragons is an always-appealing trope; the anti-racist polemic adds some flavor . (Fantasy. 9-11)Pub Date: Oct. 15, 2019
ISBN: 978-1-338-34966-5
Page Count: 368
Publisher: David Fickling/Scholastic
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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adapted by Liz Flanagan ; illustrated by Martina Peluso
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by James Patterson & Chris Grabenstein ; illustrated by Anuki López ‧ RELEASE DATE: April 1, 2019
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by James Patterson & Joe Kulka ; illustrated by Joe Kulka
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by James Patterson ; adapted by Adam Rau ; illustrated by Phillip Tajall ; color by Ray Kao
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by Matt Phelan ; illustrated by Matt Phelan ‧ RELEASE DATE: Oct. 23, 2018
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits.
Who needs dragons when there are Terrible Lizards to be fought?
Having recklessly boasted to King Arthur and the court that he’d slain 40 dragons, Sir Erec can hardly refuse when Merlin offers him more challenging foes…and so it is that in no time (so to speak), Erec, with bookish Sir Hector, the silent and enigmatic Black Knight, and blustering Sir Bors with his thin but doughty squire, Mel, in tow, are hewing away at fearsome creatures sporting natural armor and weapons every bit as effective as knightly ones. Happily, while all the glorious mashing and bashing leads to awesome feats aplenty—who would suspect that a ravening T. Rex could be decked by a well-placed punch to the jaw?—when the dust settles neither bloodshed nor permanent injury has been dealt to either side. Better yet, not even the stunning revelation that two of the Three Stooges–style bumblers aren’t what they seem (“Anyone else here a girl?”) keeps the questers from developing into a well-knit team capable of repeatedly saving one another’s bacon. Phelan endows the all-white human cast with finely drawn, eloquently expressive faces but otherwise works in a loose, movement-filled style, pitting his clanking crew against an almost nonstop onslaught of toothy monsters in a monochrome mix of single scenes and occasional wordless sequential panels.
Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits. (Graphic/fantasy hybrid. 9-11)Pub Date: Oct. 23, 2018
ISBN: 978-0-06-268623-7
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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