by Liz Rosenberg ; illustrated by Matt Myers ‧ RELEASE DATE: June 9, 2015
Perfectly in tune with the charged emotions involved in navigating friendship and trust.
A young girl can’t help but be angry when she learns her best friend is talking about her behind her back.
As the title suggests, everything hinges on what exactly James said. The pint-sized, artistic narrator heard that James—her best friend—told everyone she thinks she is perfect. But she most certainly does not! She thinks she has big feet and plain hair, and she messes up in math all the time. A misunderstanding is hinted at in the very first pages, where Rosenberg and Myers set up a visual game of “Telephone”: James tells Aiden, who tells Hunter, who tells Katie (and so forth)…. But the girl knows what she heard and retaliates by giving James the silent treatment. All day at school, James tries harder and harder to be her friend, to no avail. Until the art show, when she suddenly realizes that perhaps James said something entirely different. This common childhood struggle is enhanced by the art, which beautifully depicts the girl’s sense of betrayal. With a dripping paintbrush in hand, she throws angry splotches over Myers’ illustrations, adding her own images in wide, watercolor strokes. She and her friend, depicted realistically, are surrounded by taunting stick figures. The little girl is Caucasian with a brown pageboy; the bespectacled little boy is African-American.
Perfectly in tune with the charged emotions involved in navigating friendship and trust. (Picture book. 4-8)Pub Date: June 9, 2015
ISBN: 978-1-59643-908-5
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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