Hopefully, Prydain's history will be continued.
Prydain is an imagined territory, somewhat like Wales and peopled with characters whose genealogy stretches back to Welsh legend.
The Book of Three takes up Prydain's history during a wonderfully uncertain time — perhaps at the end of the Dark and the start of the Middle Ages. Mankind was still in the process of "becoming" in Prydain then. For instance, there are two characters here who begin to cross the line into humanity — Gurgi, a near animal, comic in his cowardice and irresponsibility, who begins the change by responding to kindness through serving with no ulterior motive for once; Doli, a dwarf who left his enchanted underground world behind because he had forgotten the trick of making himself invisible. In fact, the people of the time were forgetting, too. There were still those who could control occult power, but the methods of invoking it were not being systematically handed down; some was lost and some hoarded for evil ends. Taran, young boy, dubbed "Assistant Pig Keeper" to satisfy his dreams of glory, is the central character. A ward of the wizard, Dallben, he is in charge of an oracular pig, Hen Wen. His search for her after a raid by the horrible Horned King brings him to such strong fantasy characters as: Gwydion, a prince who teaches him the first principle of leadership — self control; Eilonwy, a runaway junior witch, and Fflewddur, an incompetent bard. If these characters don't suggest T.H. White's treatment of the Arthurian legends, they should. The author draw his figures with the same touches of irritability, doltishness and contrariness that leavens with high good humor the high fantasy. The major theme is good against evil— black magic against white — but (give thanks for creative restraint) only to a draw.
Hopefully, Prydain's history will be continued.Pub Date: Aug. 27, 1964
ISBN: 0805080481
Page Count: 230
Publisher: Holt Rinehart & Winston
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Aug. 1, 1964
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thought-provoking and charming.
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
SEEN & HEARD
BOOK TO SCREEN
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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