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THE GAWGON AND THE BOY

A sweet tale of imagination and intergenerational friendship on the cusp of the Depression. Eleven-year-old David, recovering from a severe bout of pneumonia, rejoices in the doctor’s advice that he not return to school—until, that is, “Aunt” Annie, a true battleaxe, volunteers to tutor him. But David, a dreamy boy who loves to make up stories of derring-do (punctuating the text throughout and featuring himself), soon learns that The Gawgon’s (“Gorgon”) methodologies are perfect for him, as she feeds him an unconventional education hinging on stories that become further fuel for his imagination (she supplies the smile for a frustrated Leonardo’s greatest work, among other feats). This is a departure for master fantasist Alexander (How the Cat Swallowed Thunder, 2000, etc.), who here eschews a grand canvas in favor of close and affectionate portraits of the many quirky characters in David’s life: his father, who plots to sell bottled water from the River Jordan (generously diluted with tap water) when his business fails; Uncle Eustace, the tombstone salesman; the doomsaying Aunt Rosie, one of whose frequent malapropisms gives rise to The Gawgon’s nickname. At the center of this web of loving relationships is the one that grows between David and The Gawgon, the memory of which supports David after her death. While his family certainly feels the effects of the stock-market crash, David himself is largely insulated from it both by the strength of his relationships and by his ability to find a story in just about anything. Laced with gentle humor and sustained by David’s voice (“I would have begged to be flogged, disemboweled, and forced to drink molten lead rather than returned to classes. I had some reluctance about being educated”)—a quietly zany tribute to the power of stories. (Fiction. 10-14)

Pub Date: May 1, 2001

ISBN: 0-525-46677-0

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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SEE YOU IN THE COSMOS

Riveting, inspiring, and sometimes hilarious.

If you made a recording to be heard by the aliens who found the iPod, what would you record?

For 11-year-old Alex Petroski, it's easy. He records everything. He records the story of how he travels to New Mexico to a rocket festival with his dog, Carl Sagan, and his rocket. He records finding out that a man with the same name and birthday as his dead father has an address in Las Vegas. He records eating at Johnny Rockets for the first time with his new friends, who are giving him a ride to find his dead father (who might not be dead!), and losing Carl Sagan in the wilds of Las Vegas, and discovering he has a half sister. He even records his own awful accident. Cheng delivers a sweet, soulful debut novel with a brilliant, refreshing structure. His characters manage to come alive through the “transcript” of Alex’s iPod recording, an odd medium that sounds like it would be confusing but really works. Taking inspiration from the Voyager Golden Record released to space in 1977, Alex, who explains he has “light brown skin,” records all the important moments of a journey that takes him from a family of two to a family of plenty.

Riveting, inspiring, and sometimes hilarious. (Fiction. 10-14)

Pub Date: Feb. 28, 2017

ISBN: 978-0-399-18637-0

Page Count: 320

Publisher: Dial Books

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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