Alexander's latest once-upon-a-time adventure, unfolded this time with no recourse to magic, brings Theo, an orphaned printer's devil and a true innocent, up against a repressive government that has policemen break into the printing shop, kill his master, and destroy the press—all because they've accepted an order from a traveling quack, the self-styled Dr. Absalom. Theo, in the melée, knocks out an officer, fears he's killed him (and agonizes later because he'd momentarily wanted to), and so becomes a fugitive. (When he goes to report the incident, a sympathetic local policeman as much as orders him to flee.) For a while Thee travels reluctantly with Dr. Absalom himself, a likable rogue also known as Count Las Bombas, and becomes fond of Mickle, a street waif they pick up along the way. Later Thee falls in with a band of revolutionaries, though it's a while before he recognizes what they're up to, and he remains impartially perplexed over their opposition to monarchy per se vs. the more moderate position of their temporary ally, the exiled but loyal court doctor who just wants to get fid of the king's tyrannical chief minister Cabbarus. Cabbarus, we've learned, seized power while the distraught king grieved unendingly for his presumably dead daughter—but he's brought down now when Mickle's true identity is revealed. During the final unmasking, Thee appeases his conscience by risking his life to save that of the hated minister; and in the end he is closer to the monarchy than he'd ever expected to be. A cavalier treatment of the political questions raised earlier, but a colorful and nimbly executed adventure.
Pub Date: May 12, 1981
ISBN: 0141310685
Page Count: 184
Publisher: Dutton
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: May 1, 1981
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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