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WESTMARK

Alexander's latest once-upon-a-time adventure, unfolded this time with no recourse to magic, brings Theo, an orphaned printer's devil and a true innocent, up against a repressive government that has policemen break into the printing shop, kill his master, and destroy the press—all because they've accepted an order from a traveling quack, the self-styled Dr. Absalom. Theo, in the melée, knocks out an officer, fears he's killed him (and agonizes later because he'd momentarily wanted to), and so becomes a fugitive. (When he goes to report the incident, a sympathetic local policeman as much as orders him to flee.) For a while Thee travels reluctantly with Dr. Absalom himself, a likable rogue also known as Count Las Bombas, and becomes fond of Mickle, a street waif they pick up along the way. Later Thee falls in with a band of revolutionaries, though it's a while before he recognizes what they're up to, and he remains impartially perplexed over their opposition to monarchy per se vs. the more moderate position of their temporary ally, the exiled but loyal court doctor who just wants to get fid of the king's tyrannical chief minister Cabbarus. Cabbarus, we've learned, seized power while the distraught king grieved unendingly for his presumably dead daughter—but he's brought down now when Mickle's true identity is revealed. During the final unmasking, Thee appeases his conscience by risking his life to save that of the hated minister; and in the end he is closer to the monarchy than he'd ever expected to be. A cavalier treatment of the political questions raised earlier, but a colorful and nimbly executed adventure.

Pub Date: May 12, 1981

ISBN: 0141310685

Page Count: 184

Publisher: Dutton

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: May 1, 1981

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IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

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Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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