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WALLS

A sensitive exploration of cogent themes in a richly detailed historical setting.

Young people, separated by politics and ideology, search for common ground.

Berlin, 1960. His dad’s latest tour of duty brings 15-year-old Drew and his family to a city divided—a fact brought home by meeting his cousin Matthias who lives in the city’s Communist-controlled section. As the teens warily circle each other, conflicting in temperaments as well as doctrinaire views of each other’s cultures but gradually building bonds, Elliott both fills in the historical background—aided by Behm’s mixing of period photos, contemporary news, and pop-culture notes—and crafts a tale of rising tensions that culminates in a suspenseful climax that catches Drew on the wrong side of the east-west barrier that literally springs up overnight and forces Matthias into an agonizing choice between family and freedom. Along with tucking in provocative incidents, like the ugly scene when a pair of drunken GIs spot a Black serviceman and his White German fiancee, the author gives readers food for thought by asking them to envision living under a regime in which neighbors might be informers and then having just such secret accusations leveled both against Matthias and, on the U.S. side, Drew’s parents too. An afterword points to similarities between the Khrushchev-led Communists’ disruptive sowing of fear and suspicion in 1960 and Putin’s in the 2016 U.S. presidential elections. The cast mostly presents as White.

A sensitive exploration of cogent themes in a richly detailed historical setting. (sources, photo credits) (Historical fiction. 12-16)

Pub Date: July 27, 2021

ISBN: 978-1-64375-024-8

Page Count: 352

Publisher: Algonquin

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 1, 2021

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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